國外小組科研—性別研究專題：鏡頭下女性力量的覺醒，世界近代電影藝術(shù)中的“女性主義”根源解析

開始日期：

2023年12月16日

專業(yè)方向：

人文社科

導(dǎo)師：

Holly（南加州大學(xué) (USC) 終身正教授&媒體藝術(shù)系主任）

課程周期：

7周在線小組科研學(xué)習(xí)+5周不限時(shí)論文指導(dǎo)學(xué)習(xí)

語言：

英文

建議學(xué)生年級：

大學(xué)生 高中生

項(xiàng)目產(chǎn)出：

7周在線小組科研學(xué)習(xí)+5周不限時(shí)論文指導(dǎo)學(xué)習(xí) 共125課時(shí) 項(xiàng)目報(bào)告 優(yōu)秀學(xué)員獲主導(dǎo)師Reference Letter EI/CPCI/Scopus/ProQuest/Crossref/EBSCO或同等級別索引國際會議全文投遞與發(fā)表指導(dǎo)（可用于申請） 結(jié)業(yè)證書 成績單

項(xiàng)目介紹：

When we think about cinema, the images that often come to mind are of famous movie stars who dominate the screen with their incredible talent and beauty. Indeed, within cinema, very often these stars are women who are represented as something “to be looked at,” and much of the history of cinema has used the female as a spectacular object of desire. Feminist theory unravels this history, showing how and why cinema has tended to represent women in this way while also introducing a history of alternative visions of the female often created by women filmmakers. This course traces the history of international feminist film theory, from its origins within a narrowly defined academic realm to its current moment when attention to the complexities of gender studies, intersectional perspectives, and diverse aesthetics makes the topic global and relevant. We will cover the key topics related to gender in film, including the gaze, counter-cinema, subjectivity, sexual difference, film genres, and psychoanalysis; we will view iconic examples of these concepts; and we will screen a number of films that showcase a broad and global array of understandings of feminist and intersectional cinema. Students will learn how to engage critically with films as texts, with attention to the notions of identification, the apparatus, point of view, and narrative structure. Students will leave the course with a solid understanding of foundational film aesthetics and the skills for visual analysis of cinema. 本項(xiàng)目追溯了“女性主義”在全球電影藝術(shù)理論中的歷史，從起源：狹隘的學(xué)術(shù)領(lǐng)域，到發(fā)展成果：當(dāng)前多元化的“女性力量”體現(xiàn)，項(xiàng)目關(guān)注性別研究學(xué)習(xí)中的的復(fù)雜性、交叉視角和多樣化的美學(xué)，也使得該主題具有全球性和多源關(guān)聯(lián)性。項(xiàng)目通過“女權(quán)主義”理論分析了電影藝術(shù)中的女性角色塑造，展示了電影如何以及為什么傾向于以“物化”、“標(biāo)簽化”這類方式代表女性，同時(shí)也介紹了女性電影導(dǎo)演經(jīng)常創(chuàng)造的另類女性視角的歷史。項(xiàng)目將涵蓋與電影中的性別相關(guān)的多個(gè)關(guān)鍵話題，包括凝視（gaze）、反電影（counter-cinema）、主觀性（subjectivity）、性別差異（sexual difference）、電影類型（film genres）和精神分析（psychoanalysis）。導(dǎo)師將帶領(lǐng)學(xué)生對以上概念的標(biāo)志性例子進(jìn)行分析，通過具體影片，展示全球范圍內(nèi)對女權(quán)主義和交叉電影的廣泛理解。學(xué)生將學(xué)習(xí)如何批判性地將電影分為文本，身份認(rèn)同感、工具、觀點(diǎn)和敘事結(jié)構(gòu)的幾個(gè)概念集合。目的旨在讓學(xué)生將對基礎(chǔ)電影美學(xué)和電影視覺分析技巧有一個(gè)堅(jiān)實(shí)的理解的同時(shí)也對“女性主義”本身產(chǎn)生正確的認(rèn)知和理解。